Portland Gallery is delighted to be working directly with Bill Jacklin in presenting a selection of recent monotypes. The timing of our presentation is designed to echo the publication of a major new book, Bill Jacklin Monotypes, by Nancy Campbell and published by The Royal Academy of Arts. The book, which features over 75 illustrations, is a detailed survey of this important part of Jacklin’s practice, and contains an informative interview with the artist. In a wide-ranging conversation, Jacklin describes how the new stimuli of moving to America in 1985 energised his work, as well as discussing his use of monotype and how he revels in its immediacy and expressiveness as a medium.
Jacklin is one of Britain’s most revered figurative artists. His atmospheric paintings, drawings and prints are instantly recognisable despite the evolution of his work over a near 60 year career. Jacklin studied at the Royal College of Art, London from 1964 to 1967. Between 1967 and 1975, he taught at Chelsea School of Art, Hornsey and Royal Colleges of Art and at schools in Kent and Surrey. For almost 40 years, until the gallery’s closure in May this year, Jacklin was represented by Marlborough Fine Art. He has undertaken many commissions, notably from the Bank of England, the Ivy Restaurant, De Beers and the Metropolitan Washington Airports Authority for the North Terminal of Washington National Airport. He was elected a Royal Academician in 1991 and in 1993 was Official Artist-in-Residence for the British Council in Hong Kong. Jacklin presently lives and works in Rhode Island, USA.
Jacklin has exhibited internationally at public galleries, commercial spaces and major art fairs. His print work has been shown at Tate Britain, The Royal Academy of Arts and the Metropolitan Museum of Art in New York (the latter two institutions will hold book launches for the current publication). His work can be found in many significant public collections including; Metropolitan Museum of Art (New York), Museum of Modern Art (New York), Royal Academy of Arts (London), Tate Gallery, (London), Victoria and Albert Museum (London), Whitney Museum of American Art (New York) and Yale Center for British Art (New Haven, Connecticut).
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Monotypes
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Into the Sea at Night II, 2009Bill Jacklin£ 8,760.00 (framed)
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Shooting Star V, 2016Bill Jacklin£ 7,200.00
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Stars and Sea at Night O, 2017Bill Jacklin
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Towards the Light I, 2023Bill Jacklin
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Stars and Sea at Night J, 2017Bill Jacklin
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Golden Field I, 2023Bill Jacklin£ 5,460.00
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Road to the Sky at Night I, 2018Bill Jacklin
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Snow in the Park at Night I, 2018Bill Jacklin
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Literature Walk IV, 2001Bill Jacklin
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Verso al Luce XII, 2003Bill Jacklin£ 4,200.00
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The Sky at Night X, 2017Bill Jacklin£ 4,200.00
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Into the Night II, 2020Bill Jacklin
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Times Square in the Rain VII, 2012Bill Jacklin£ 3,840.00 (framed)
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Lake III, 2008Bill Jacklin£ 3,600.00
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Cloud and Sky II, 2015Bill Jacklin£ 3,600.00
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Tempest II, 2008Bill Jacklin
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The Road at Night II, 2009Bill Jacklin£ 3,600.00
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Verso al Luce IV, 2003Bill Jacklin£ 3,360.00
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Out of the Shadows II, 2012Bill Jacklin
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Into the Sea II, 2007Bill Jacklin
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"Expressing an idea quickly, that’s my motivation with monotypes. You can get stuck in a painting for years. With a monotype you’ve either got it or you haven’t."
- Bill Jacklin on MonotypesWhat is a monotype?
Monotypes are unique compositions and differ from monoprints in that there is no reuseable element (such as a stencil or etched plate). Jacklin will often hand finish sheets with the addition of pastels, will also work with sharp objects to scuff the surface to create additional texture and will also splatter or spray turpentine to disperse the pigment (especially noticeable in the snow scenes). Although often created using recognisable printing techniques, monotypes are far closer to original paintings than editioned artworks or even monoprints.
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